The worlds of DC continues to expand. The DC Films (or DC Extended Universe) has had its ups and downs, but it continues to make a name for itself with recent releases such as Aquaman and Shazam. The latest film from the shared universe takes a step on the wild side by centering on the one and only Harley Quinn. Since her debut in Batman: The Animated Series, the supervillain has become a major player for DC by being part of numerous comics and making her cinematic debut in 2016’s Suicide Sqaud. Now the anti hero breaks away from the Joker and the Squad to star in her own movie: Birds of Prey (aka Birds of Prey and the Fantabulous Emancipation of one Harley Quinn or Harley Quinn: Birds of Prey). Directed by Cathy Yan, Birds of Prey is both a spin off to Suicide Squad as well as an introduction to DC’s team of superheroines. Despite the notoriety of its central character, this film looked to be a gamble in more ways than one. While it took me some time to see it, I ventured to experience the new superhero film and when it came right down to it: Birds of Prey was an enjoyable film.
When it comes to directors with a unique vision, none may be more prominent than that of Quinten Tarantino. Since his work on Reservoir Dogs, the acclaimed filmmaker has brought his sense of style to an array of movies such as Pulp Fiction, Kill Bill, Inglorious Bastards and more recently The Hateful Eight. Now Tarrantino is back with his ninth motion picture and this time the director takes moviegoers to the land of the stars: Hollywood. Once Upon A Time In Hollywood is a dramedy that depicts the stardom city during the 60’s. A film centering on a life in Hollywood is nothing new, but when you mix this concept with Quinten Tarantino, the end result could lead to anything. In this case what transpired was a film that was not only unique for the season, but unique for Tarantino himself.